Pratical

• • Kita Sol – Practice
  • Kita Thaka Sol – Practice
  • Tharikita Sol – Practice
  • Dhin Sound Practice
  • ThakaThiku Sol – Practice
  • Thalanghu Sol – Practice
  • ThakaThariKitaThaka Sol – Practice
  • Thadhinginathom – Sol – Practice
  • ThakaDhimiThakaJanu – Sol – Practice
  • Above Sols are to be played in AadhiThalam. Sorkattus should be rendered with thala

Theory

• Basic Technical Terms and its Explanations
• Thalam, Avarthanam, Aksharam – Explain
• Mridangam – Origin and History
• ChapuThalam, EkaThalam

Pratical

• • MeetuChapu, Arai Chapu
  • 10 Lessons in AadhiThalam ( 1 Avarthanam )
  • 10 Lessons in AadhiThalam ( 2 Avarthanam )
  • 10 Lessons in AadhiThalam ( 4 Avarthanam )
  • Nadais in AadhiThalam
  • Eight AvarthanaPharans ( PodiSorkal )
  • MeetuSorkal (Rappai Sol )
  • Mohra (Aadhithalam )
  • AadhithalaKorvais

Pratical

• • 10 Lessons in TisraJathiEkaThalam ( 4 Avarthanam )
  • 10 Lessons in TisraJathiEkaThalam ( 8 Avarthanam )
  • 10 Lessons in TisraJathiEkaThalam ( 16 Avarthanam )
  • SapthathalaSorkattus in 3 Speeds
  • (TisraJathiEkaThalam) Mohras
  • ChaputhalaSorkattus
  • Chapu, Arai Chapu, Kumukki Playing
  • SapthaThalaAlankaras

Theory

• SapthaThalaAlankaras and its Counts
• Jaathi and GathiBedas in Sapthathalas
• 35 Thalas – Explain
• Explain Gathi&Jathi
• Five DasaPranas of Mridangam

Pratical

• • MisraChapuThala Lesson ( 8 Avarthanam )
  • MisraChapuThala Lesson ( 16 Avarthanam )
  • MisraChapuThala Lesson ( 32 Avarthanam )(Above Lessons are to be played with Mohras in 3 Speeds )
  • SamaEduppu, AtheethaEduppu, AnagathaEduppu
  • Small , Big Korvais
  • Nadais for 35 Thalas

Theory

Pratical

• • TriputaThala Lessons (1,2, 4 ) Avarthanam
  • JampaThala Lessons (1,2, 4 ) Avarthanam
  • Rendering Aadhithalam, ChapuThalam, RupakaThalam&JampaThalaJathis
  • Korvais&Mohras in JampaThalas
  • Playing JampaThalaJathis

Theory

•  Yathi types, Differences between Gathi – Nadai
• ThalaDasaPranas
• Types of Chaputhalas ,Desathi, Madhyathi, Maarga&Desithalas.
• Importance of Mridangam in Music Concert

Pratical

• • Tuning sruthi to Mridangam
  • Vallinam, Mellinam
  • TheermanaJathis in Aadhi and MisraChapuThalas
  • Setting Tha Thin Ghi Na Thom for Eduppus and Playing Mohras for Arudis
  • Thaththakaram – Oral

Pratical

• • Playing Manodarmam in Jampathala and Chaputhala with Mohras
  • Playing Manodarmam in Five Jaathis with Mohras
  • Playing Accompaniment for Aadhi, Chapu and Jampathala songs
  • Rendering and Playing 2 Jathis in Ata thalam and JampaThalam in 3 speeds
  • Playing TheermanaJathis in Aadhi and Chaputhalas
  • Playing Nadai in Misram, Kandam and Sankeernam

Theory

Pratical

• • Playing ThaniAvarthanam
  • Playing mridangam for Songs and Bhavams
  • Playing Anulomam, Prathilomam
  • Playing Thaththakaram for any 5 thalas in 35 thalas
  • Playing Manodarmam for any 5 thalas in 108 thalas
  • Playing Big Mohras in 5 Jathis in Manodarmam Way(without any change in speeds)
  • Playing mridangam for Pallavi, Niraval and Kalpanaswarams
  • Playing ThaniAvarthanam for Pallavi and Kritis
  • Theermanam procedures for Yathi
  • Playing Thani for Different Eduppus

Theory

Pratical

• • Tha – Thi – Thom – Nam (In Three speeds)
  • ThaTha – Thithi – ThomThom – NamNam
  • ThaThaTha – Thithithi – Thom thomthom – Nam namnam
  • ThaThaThaTha – Thithithithi – Thom thomthomthom – Nam namnamnam
  • ThaThaTha – Thithithi – Thomthomthom – Namnamnam
  • ThaThaTha – Thithithi – Thomthomthom – Namnamnam
  • ThaThi – ThiThom – ThomNam – NamTha
  • Above Sols are to be played in AadhiThalam. Sorkattus should be rendered with thala