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Mridangam Grade – 6

Mridangam Grade – 6

Pratical

    • Tuning sruthi to Mridangam
    • Vallinam, Mellinam
    • TheermanaJathis in Aadhi and MisraChapuThalas
    • Setting Tha Thin Ghi Na Thom for Eduppus and Playing Mohras for Arudis
    • Thaththakaram – Oral

Theory

  • Anulomam – Prathilomam
  • Procedure of Making Mridangam
  • Life History of MridangaVidwan

Music (Mridangam)

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    Mridangam Grade – 6

    Mridangam Grade – 7

    Pratical

      • Playing Manodarmam in Jampathala and Chaputhala with Mohras
      • Playing Manodarmam in Five Jaathis with Mohras
      • Playing Accompaniment for Aadhi, Chapu and Jampathala songs
      • Rendering and Playing 2 Jathis in Ata thalam and JampaThalam in 3 speeds
      • Playing TheermanaJathis in Aadhi and Chaputhalas
      • Playing Nadai in Misram, Kandam and Sankeernam

    Theory

    • Shodasangam and its counts
    • Thala Structure and Thaththakarams seen in Thiruppugazh
    • Playing Thaththakarams for Ragam, Thanam and Pallavi
    • Procedure of protecting Mridangam

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      Mridangam Grade – 6

      Mridangam Grade – 8

      Pratical

        • Playing ThaniAvarthanam
        • Playing mridangam for Songs and Bhavams
        • Playing Anulomam, Prathilomam
        • Playing Thaththakaram for any 5 thalas in 35 thalas
        • Playing Manodarmam for any 5 thalas in 108 thalas
        • Playing Big Mohras in 5 Jathis in Manodarmam Way(without any change in speeds)
        • Playing mridangam for Pallavi, Niraval and Kalpanaswarams
        • Playing ThaniAvarthanam for Pallavi and Kritis
        • Theermanam procedures for Yathi
        • Playing Thani for Different Eduppus

      Theory

      • Playing Mridangam in Music Concert
      • Dos and Donts in Playing Mridangam
      • ThalaChakkaram
      • Forming Karanai to Mridangam
      • Valanthalai – Idanthalai – Explain
      • Characteristics of Mridangam Player
      • Writing Korvais with symbols+

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